Video Post Production, Compositing and Color Grading
Not every project starts with a shoot. Often the footage already exists, from a film or series production, produced by an agency, shot by you or captured at an event, and what is missing is the step that decides how it actually lands: post-production. That is where I come in. I take on compositing, editing and color grading for existing footage and carry it through to the final, delivered frame.
The material is there. It just doesn't sit yet.
The edit is locked, but the shots feel flat. Colors don't match from camera to camera. One element needs to go, another needs to come in. A shot is technically flawed but content-wise essential. None of that is a disaster — it's ordinary post-production. The only question is who handles it: someone who can operate editing software, or someone who sees why an image isn't working and knows which fix actually solves it.
I've worked in visual post-production since 2006, mostly on productions where the result had to hold up under close scrutiny. I apply the same standard to an event video. The scale of a project doesn't change the care that goes into it.
Who I Work With
My focus is film, streaming and commercial productions that need senior compositing, editing or color grading in post, work that holds in the finish: from a single problem shot to the complete treatment of the footage. I also work for advertising agencies whose client has finished raw material that nobody in-house can bring to an end. In addition there are industrial companies with image films and production documentaries, cities, municipalities and event organisers with event, trade fair or recap material, tourism boards with footage that has not yet found its effect, and music video productions that need a final visual polish. The scale of a project does not change the care that goes into it.
Editing and post production services
– Video editing and fine cut
– Color grading and colour correction
– Look development and visual consistency
– Audio sync and technical cleanup
– Format adaptation and final mastering
– Quality control before delivery
Compositing services
– Multi-layer compositing and image integration
– Adding CGI into existing live-action footage
– Rotoscoping, paint and cleanup
– Green screen keying and extraction
– Repair of technically problematic shots
– Repurposing and adaptation for new platforms
One point of contact, not a chain
From the first enquiry to final approval you deal directly with me. I work the material myself. Where a project needs more than one person, I bring in artists from my network — staffed to the project, transparently itemised, not a fixed apparatus. Technical pipeline: Nuke, DaVinci Resolve, Maya, Houdini.
Let's talk about your footage
You have material that isn't doing what it should? Send me a short description — in the initial call I'll tell you what can be pulled out of it, and what can't.